Charles Martin writes in a dimly lit office of his home in Jacksonville, Florida. In that room, Charles weaves stories for a world inundated with bad news. This week, the New York Times best-seller’s latest novel, Unwritten, will vie for the attention of readers distracted by deadly headlines, cynical social media and tabloid gossip. His words carry a very different message.
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It’s generally easy to explain why we like certain music or a certain film. But somehow, in the echoing hallways of an art gallery, the quiet formality can make fine art feel unattainable, or even uninspiring. Add to that those who arrogantly scoff at casual observers for not understanding the latest boundary-pushing works, and it’s no wonder that some in our culture feel appreciating art is only a lofty pastime.
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It’s back-breaking work that requires late nights, early mornings and a whole lot of faith that your effort won’t prove to be in vain. Throwing pottery – seen by many as a hobby reserved for art classes with pre-fabricated kilns – is more than just a craft. For Alex Matisse, a 28-year-old traditional potter based in Asheville, North Carolina, it’s his life’s calling.
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In an age when more and more of our “books” have on-and-off switches, and we delete correspondence by a click or a tap without a second thought, physical objects and other tangible links to our memories and heritage are increasingly hard to come by and, thus, all the more meaningful.
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In two weeks, North Mississippi will play host to dozens of independent, interesting and unusual films — and those who create them. But the Oxford Film Festival is more than just an opportunity to watch eclectic movies and mingle with filmmakers.
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